Here we are, the last Alpha interview. If you missed any, just click around this sentence. For more on Alpha, check out their website and the awesome Alpha blog and feel free to hit up the comments with questions.
Our final Alphan is Jameyanne Fuller. She’s a junior at Kenyon College in Ohio, and she is majoring in creative writing and minoring in Italian. She works for the Kenyon Review and plays clarinet in the symphonic wind ensemble. As if that’s not enough awesome, she also runs a writing group where they critique each others’ work and hold mini workshop on specific topics. She writes mainly fantasy with some dabbling in scifi, horror, and literary fiction. That adorable dog in the picture is her Seeing Eye dog, Mopsy.
Why did you apply to Alpha?
This is a long and rather complicated story culminating in a mad dash.
First semester of my freshmen year, a biology teacher on campus who also writes science fiction had her editor visiting, and she invited a small group of students who wrote science fiction or fantasy to her house. I got picked because my english teacher knew I wrote fantasy. So lesson number 1: talk to people. For a long time, I found the idea of telling people that I wrote fantasy and that I was working on a novel to be pretentious, but since I’ve come to college, I’ve discovered that talking to people about what I like to do opens a lot of doors, just because they’re aware I might be interested in something.
Anyway, so this editor told us that we should really go to the big famous writing workshops like Clarion or Clarion West or Odyssey. So I applied to Odyssey, because it was closer to home for me. And then I sat back and waited and twitched. On February 28, a friend who was also at this meeting with the editor was still debating whether to apply to Clarion or not, and in his debate, he mentioned something on the website about a young writers SF workshop where Tamora Pierce taught. I know it’s kind of a cliché to say that I applied because Tammy was there, but that was my first impulse. I also knew nothing really about speculative fiction except that I’d read Tammy’s work and Harry Potter, and I was writing a fantasy novel. I’d never written a fantasy short story. I didn’t even know you could write short stories that weren’t literary. Oh how naïve I was in my pre-Alpha days. So I decided that I’d try it and see if I could learn something new. Mad dash to write a story ensued.
What would you say to any young writers that might be nervous about applying?
Like I said above, when I applied, I didn’t have a clue how to write a fantasy short story, but I found that when I sat down and tried to do it, it wasn’t that much different from a novel, just, well, a lot shorter. The thing is, Alpha will change your life, and if you apply, you could get in. But if you don’t apply, you definitely won’t. I think if you’re nervous about applying, you need to ask yourself why you’re nervous. Is it the idea of the applicaion? Or is it because of the workshop? If it’s the application, like I said, you should really just do it. The application itself is easy. If you’re nervous about the workshop itself, you should still apply. You can always back out, but you can also address your concerns before the workshop.
You wrote some great advice for procrastinators applying to Alpha. Any advice for if they get in and have to write a story in a week while surrounded by the awesome distractions of Alpha?
Alpha provides a lot of structured writing time and critique groups to help you get that short story done while you’re there, and that helps a lot. But I think the biggest advice I can give you is to have lots of ideas and have them as fleshed out as possible before you come to Alpha. They’ll probably change over the course of writing and discussing them, but the more clear your ideas are, the faster you’ll be able to write. The other advice I can give is to talk about your story with people while you’re there. Talk about the problems you’re having, the scenes you just loved writing. Listen to what people have to say about their stories and give them some advice. Beyond that, there is a certain amount of winging it that will happen in terms of when you’ll be able to get that writing done, because Alpha is really fun, and you really want to have as much fun as possible.
How does Alpha compare to other writing instruction that you’ve received?
I’ve received a lot of writing instruction, but Alpha was far and away the best. It was the most fun, and it taught me so much about writing. I went into Alpha not having any idea how to write a speculative fiction short story except for the one I wrote for my application, which had since spiraled into a trilogy in my mind, and I came away with a whole ton of ideas and advice. Other writing workshops I’ve taken have been a lot more focused on freewriting or turning out smaller pieces or critiquing, which of course was super valuable, but Alpha has this great mix of lots of fun and great teachers and great advice. Plus author guests, which was totally new to me, and it helped me realize that authors are people too, and if they can publish, so can I. I really feel like Alpha gave me the tools to do that more than any other workshop or class I’ve attended.